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“Most of the time, reality isn’t balanced. Truth is rarely in the middle.” 

Legs, heart and a spine: Interview with Nadja Vancauwenberghe about journalism’s must-haves, and why she believes in teaching the skills to match


24/03/2026

You’ve got quite a backstory. Can you walk us through how you ended up in journalism?

It wasn’t planned really. I left France 30 years ago to teach sociology at Moscow University. That’s where I discovered journalism. A quick detour through London and I was back in Russia, this time at the Agence French-Presse [AFP] bureau, the news agency. So I started with news, and soon enough, war reporting. Putin had invaded Chechnya, and much like Gaza now journalists were denied access. So I smuggled myself in and reported undercover. I came back in one piece, which retrospectively was lucky, but it earned me serious trouble with the FSB [Federal Security Service of the Russian Federation – the successor to the KGB]. Long story short, that’s how I ended up in Berlin, as a black-listed exile (laugh). And that’s also how I ended up co-founding Berlin’s English language magazine. I was Exberliner‘s editor-in-chief for 21 long years…

Can you tell us a bit about Exberliner?

It was a totally independent monthly, with serious journalism ambition and bite. We had no investors to please, so we could focus on political stuff and be as inquisitive and critical as we wanted, something our new owners would later dismiss as “being negative”.  After I left, the new owners renamed it The Berliner. Which is good because it is a totally different magazine now. Another good thing is that after 20 years I could finally do what I always wanted to have enough time to do, which is long-formats and investigative articles. I was longing to get back to reporting.

What kind of investigation are you currently working on? You took a strong stance on Gaza, which The Left Berlin published when taz decided not to. How do you reconcile journalism work and your convictions?

In this case, they perfectly align. As a foreign journalist living in Berlin when October 7 happened, I was shocked by the German media, and I’m not just talking about just the Springer guys, but how the full spectrum of the German media aligned to produce one narrative, you know, all in the name of Staatsräson and unconditional support to Israel, etc. I knew mainstream journalism wasn’t doing great, but here it was spectacular: it felt like my colleagues had suddenly all lost their professional bearings. I guess that’s when I started involving myself with the topic. Since last year, I’ve been coordinating a transnational team of data journalists and researchers working on the media coverage of Gaza in France, Germany and Italy. We’ve just finished our first big investigation on the death of Hind Rajab, how it was reported, or not, in mainstream European news and in the US. It’s going to be published in April in France first. Next to that, I used my platforms, film evenings at Lichtblick Kino, panel discussions, to address and challenge the collective silencing of the Palestinian tragedy. So it’s been a lot of Gaza in the last two years. But mostly from a critical media perspective, a journalist’s perspective. 

What about the Berlin Journalism Academy?

In parallel, I started giving journalism workshops, and mentoring. It developed step by step. We’ve set up a small team supported by a collective of international journalists. The ambition, in the long run, is to build a proper academy, where journalists from all fields, media and parts of the world will teach what I like to call “no-nonsense” journalism. For now we mostly focus on short, super practical courses. But it’s all linked: whether you’re investigating state corruption or reporting on a new dog-grooming parlour, it’s the same job. First-hand investigative reporting is the heart of the work!

Teaching is something that I really enjoy, sharing my experience, showing the ropes, helping people develop their journalism voice. I did a lot of that as an editor-in-chief, training new recruits, mentoring junior journalists, editing writers. That’s also when I noticed that Berlin was missing practical journalism training in English. You have a lot of creative writing groups. But journalism is a different craft.

What is your philosophy of journalism? Tina Lee made a recent presentation at the Left Berlin’s Journalism Day School where she argued there is no such thing as objective journalism.

Um, big question. The sociologist in me would say, sure, we all are the fruit of our own socialisation and it comes with biases. As journalists, we should be extra aware of this and try to challenge them. The reporting practice, to be in the field, is a good way to do just that. But saying that “objectivity doesn’t exist” should not be an excuse for lazy journalism. Some facts are objective and we should report them as accurately and fairly as we can, even if we don’t like them. Otherwise, it’s just flawed journalism. Or propaganda. 

Another problematic notion these days for me is this imperative of “neutrality” and balanced coverage. That’s the kind of bullshit that has been plaguing Western mainstream media coverage, something we caught a lot in our investigation on Gaza: editors asking reporters to “balance” their copy about Palestinians as if reality on the ground was balanced, and truth right in the middle. Fact is: most of the time, reality isn’t balanced. Truth is rarely in the middle. In a conflictual situation with opposing parties, truth isn’t necessarily equally shared. To say both sides suffered isn’t the same as to say everyone’s suffering equally.

This doesn’t just apply to war reporting. As an editor for a local magazine, I remember fighting with reporters who merely reported both sides of a dispute without trying to figure out where the truth stood, or at least checking if allegations were true or not. That’s just lazy. It’s giving up on the investigative, truth-seeking nature of journalism. I have a somewhat old-school idea of journalism, which is also idealistic.

What is old-school journalism for you?

For me journalism is a job, a craft you can and should learn if you want to do it well, professionally. Then comes the mission: to inform⸺on things people wouldn’t know if you didn’t report them. The means: first-hand facts. But then the way you select them and frame them, that’s when the problem starts. You must try to be as impartial as possible. In the polarised world we live in, it’s hard. Which doesn’t mean you shouldn’t try your best, no matter how elusive truth can be.

Ultimately, to these imperatives of “objectivity” or “neutrality”, I’d oppose a duty of fairness and honesty⸺to try to be as honest and as fair as possible in our drive to inform. Which comes with a little courage. Guts. A spine. As a journalist, you should be able to hold your ground against all kinds of pressures, be they from your editors or the State, mainstream ideology or even colleagues’ pressure. For me, a journalist is by default a dissident. Which isn’t the same thing as being an activist. Your compass isn’t your commitment to a cause, but to finding and reporting the facts, even when it’s uncomfortable. 

What would your advice be to a journalist who says, “I want to write this, but the person who is paying me is telling me to write something else”? Are journalists really free to write what they want?

Sure they are, at least here in Germany. In what’s left of our liberal democracies, we are lucky enough that no matter how bad things are heading, we can still try to report truth to power, and won’t end up in jail or with a bullet in the head. So no excuse not to. At least fight for it!

Let me contextualise. There is a journalist in Germany, who wants to write about Gaza. They are writing for a publication which says, if you write about Gaza, you must start with “but Hamas!” You must put it in a context which the journalist doesn’t necessarily agree with.

That’s such a good example, because in Germany especially, this has been used all the time as an excuse for not reporting adequately about what was really happening in Gaza. It was considered “too risky”. So journalists caved in and used euphemistic language or what not, out of internalised pressure. Self-censorship, essentially. And it’s a vicious circle because the more people conform, the more difficult it becomes not to; you know, collective pressure! 

Maybe I’m not entirely answering your question, but I get a little exasperated with cowardly Western journalists who always say “it’s too dangerous”. Maybe it’s because I was lucky enough to meet people like Anna Politkovskaya, or to befriend amazingly courageous reporters, or just because I dealt with the consequences of my reporting early in my career. Somehow it put things in perspective.

I remember when, last year, the entire French media organised a big die-in in front of the Bastille opera to show solidarity with our colleagues in Gaza. I was there and posted about it on my IG account. It was so interesting how German colleagues said “So amazing. If only we could do this here.” Why not? What’s gonna happen to you if you demonstrate in support of Gaza journalists? What’s the danger really? 

Take Daniel Bax. While taz did a very poor job on Gaza, Daniel always wrote what he wanted, challenging the main German narrative. What happened to him? Nothing.

I agree that Daniel Bax is an exception. We do translate some of his articles. But he will still get work because he’s Daniel Bax. Other journalists have a different power relationship to their bosses.

Okay, another example: While I was still the editor-in-chief of Exberliner and after we got bought out by the people behind tip, I cannot tell you how many times I was asked to fire a particular columnist because our top investor hated his lefty columns. Or to “unpublish” some stories. And you know what I did? I didn’t.

Many people are worried about their jobs. There’s a difference between what an editor can say and a random journalist.

Well not really. They ended up firing me out of the magazine I founded and led for 21 years!  

So I’m a bad example. 

But what I’m trying to say is that, ultimately, it comes down to your own personal ethic as a journalist. It’s a very individual decision. I understand it may be more complicated if you’re a foreign freelancer in a precarious visa situation, for example. But if you’re a staff writer in a big German media organisation, you’re not really at risk of being fired. It’s much too complicated legally.

Maybe this is the time to talk about The Berliner, the follow-up magazine to Exberliner. Most of the journalists went on strike. Some of them have now set up their own publication because of The Berliner‘s coverage of Palestine and some dubious sponsors. Presumably as the founder and former editor, you’ve been watching what’s happening.

When I heard about it, my first reaction was: wow, did it really take you two years? Two years to realise The Berliner did nothing to challenge the German media status quo on Gaza? To  cover the protests, condemn the police violence? To give a platform to critics, including all those international Jewish voices who were looking to be heard?

When I left the magazine in March 2023, it was very clear to me whom we were writing for and what was happening. So, yeah, I found it a little, um, perplexing that my ex-colleagues needed two years to speak out.

People often ask if I miss Exberliner. I say no, and I mean it. It was high time I moved on. But there is one thing I do regret. If I had still been editor-in-chief after October 7, there would have been one German media outlet that spoke up. That’s my only regret.

On the bright side, a new independent publication is always great news! 

The BJA is offering workshops at the end of March. What can people expect from these workshops?

We have been test-driving quite a few workshops. The next one is focused on interview skills and pitching. It’s built around a very practical, real-life experience of a face-to-face live Q&A with a Berlin personality. I try to invite famous artists with a political edge. We had the Palestinian artist Steve Sabella, the feminist graphic novelist Ulli Lust. Our next guest is the photographer Miron Zownir. So it’s going to be another special treat, especially because his iconic Berlin Noir is being re-released soon with a big exhibition at Urban Spree in late April. So it’s actual publish-worthy stuff!

The Q&A lasts for one or two hours. Afterwards, participants get to work on their articles. We practise building an angle and pitching, which is an important skill for those who want to freelance. As a former editor who’d get many article proposals each week, I remember too well the importance of a strong pitch. That’s one module. For people who do the full module, then we go through the whole writing process and they get a one-on-one editing session. The final workshop is a publishing workshop. We have a little cherry on the cake: a talented designer that lays out your final article. So it’s a nice complete thing in four workshops. I think it’s a very efficient way to understand what journalism is.

Who are the workshops for? Is it more for people who are already journalists or those who want to start up as journalists?

Until now I’ve had a mix of international and German students and young freelancers ⸺they’re usually interested in professional pitching and practising how to build an angle. Then there’s the people who work in PR and want to pick up some journalism skills. Some get their companies to pay for the training. Photographers, film people, graphic designers. I regularly have writers who want to try out the journalism voice. But really, it’s all over the place. It ranges from a Chinese IT expert looking for a career change to a US novelist who wants to switch to feature writing. What they all have in common is that they’re looking for training that’s practical and efficient. Short but intense.

Before we wrap up, how can people enrol in the Berlin Journalism Academy, and what are the costs?

We have a sliding scale system to make it affordable for people who don’t have the means – or the parents or a boss, to pay the full fee! And we also have our “dissident discount”, aimed at people who want to improve their journalism skills for a good cause. I love the idea that nowadays anyone can bear witness and challenge media blockades or police cover-ups with their smartphones and report on social media, but I’ll always advocate for professional journalism. Our weakened democracies need trained journalists who have both the skills and the ethics. I always tell my students that unlike AI, journalists have legs and should use them. But they also need a heart⸺and a spine.

When do the spring courses start?

Friday March 27th, 17h at the Akiz studio on Alexanderplatz in Berlin. There’s more information at berlinjournalismacademy.de and @berlin_journalism_academy.

30 March 2018 – Great March of Return

This week in working class history

On 30 March 1976, there were demonstrations throughout Palestine against Israel’s systematic confiscation of Palestinian land. These peaceful demonstrations were accompanied by a general strike. Israel responded with extreme violence – Israeli troops killed four people and the police two more. Since then, 30 March has been commemorated by Palestinians and their supporters as Land Day.

On 30 March 2018, 30,000 Palestinians demonstrated at the Israel-Gaza border demanding the right of return for Palestinian refugees and an end to the economic blockade of Gaza. Israeli snipers responded by shooting at the peaceful demonstrations with rubber bullets, tear gas, and live ammunition. They killed at least 17 people – almost half of them children. The Israeli Defence Force proudly tweeted: “nothing was carried out uncontrolled; everything was accurate and measured. We know where every bullet landed”. 

In subsequent weeks protestors mobilised every Friday. The protests were originally intended to last until Nakba day, 15 May, but continued until December 2019. The protests were largely led by civil society and young activists known as the “Oslo generation”, independent of the Hamas government. Estimations of the numbers killed vary, but the UN body OCHA reported that between May 2018 and May 2019 Israeli forces killed 195 Palestinians and injured 30,000.  

Writing in Haaretz, Israeli journalist Gideon Levy said: “The shooting on the Gaza border shows once again that the killing of Palestinians is accepted in Israel more lightly than the killing of mosquitoes”. Amnesty International called for a worldwide arms embargo on Israel. And yet none of the protestors’ demands have been met. Palestinian refugees are still prevented from returning to their homeland. The blockade of Gaza has now been going on for 35 years while for the last 2 years, it has been accompanied by a genocide. 

When supporters of Israel ask why Palestinians do not demonstrate peacefully, the massacre of the Great March of Return shows what happens when they do. In the same way that  civilians paramedics, journalists and children are deemed legitimate targets in today’s genocide – so too were they following their peaceful protest in 2018. In its way, Israel’s actions in 2018 paved the way for October 7th 2024. Denied a way of fighting for justice peacefully, Palestinians chose the only way left open to them.

Attack on Kharg Island

OSINT analysis raises significant doubts about the US narrative


23/03/2026

Following US airstrikes on Iran’s crucial oil export island, Kharg, Donald Trump claimed that “every MILITARY target” had been “totally obliterated”. Yet the few pieces of publicly available information paint a contradictory picture. A geolocation of footage released by the US military suggests that several strikes may have hit civilian infrastructure. Based on an open source intelligence (OSINT) analysis, etos.media editor Jakob Reimann explains what can be reconstructed about the targets of the attacks.

“Moments ago, at my direction, the United States Central Command executed one of the most powerful bombing raids in the History of the Middle East,” the US president wrote on Friday in a post on his social network Truth Social, “and totally obliterated every MILITARY target in Iran’s crown jewel.” Trump continued: “for reasons of decency, I have chosen NOT to wipe out the Oil Infrastructure on the Island.”

The island, covering around 20 square kilometers—smaller than Manhattan—lies in the northern part of the Persian Gulf, around 60 kilometers from the Iranian port of Bushehr. It is widely regarded as the “undisputed economic backbone of Iran”: around 90 percent of the country’s crude oil exports are handled from here, amounting to nearly one billion barrels per year.

So far, it remains largely unclear which targets were actually bombed in the overnight attacks on early Saturday. According to the US president, “every MILITARY target” was destroyed, while Reuters, citing the US CENTCOM, reported that 90 military targets had been attacked. By contrast, the Iranian agency Fars, citing sources on the ground, reported that “the sound of more than 15 explosions was heard on the island” and that “the enemy attempted to damage the army’s air defense system, the Joshan naval base, the airport control tower, and the helicopter hangar of the [Iranian Offshore Oil Company].” Two military and two civilian targets were named, though it remains unclear what the outcome of these “attempts” actually was.

“The airport is right in the middle of the city, and practically everything is within residential areas,” one resident of Kharg city told BBC Persia. “Almost all of Kharg Island’s military facilities are located around the airport, and the rest are oil and gas installations and the accommodation of oil company employees,” said another. “The island doesn’t really have a military base as such, and I truly don’t know what they actually hit.”

US CENTCOM—the US military’s regional command in charge of operations in the area from East Africa to Central Asia—has released a compilation of several video sequences that allegedly show strikes on the island.

By comparing distinctive building shapes, road layouts, and terrain features with satellite imagery from Google Maps, etos.media was able to geolocate the impacts. (In the following graphics, green elements mark reference points used for geolocation, while red elements indicate the projectile impacts.)

Two video sequences show impacts at Kharg Airport. The first clip shows a projectile striking a parking lot (according to Google Maps) next to a large building and several smaller ones. One of the buildings has a kind of hexagonal top (red arrow). Another projectile hit a larger hall located about 60 meters southwest of five helicopter landing pads. The analysis of the footage suggests that the two targeted structures are the airport control tower and the helicopter hangar of the Iranian Offshore Oil Company, as mentioned by the Iranian agency Fars. Both strikes would constitute attacks on civilian or civilian-used infrastructure.

1. Screenshot from US CENTCOM video of Kharg Airport; 2. comparison with Google Maps; 3. probable locations of the strikes on the helicopter hangar and a parking lot with the airport tower (coordinates: 29°15’29.2″N 50°19’29.9″E)

Another sequence shows two impacts on the airport’s airfield: one roughly at the level of the oil company’s helicopter hangar, the second about 650 meters northwest of it. Here too, the strikes would have hit civilian infrastructure.

Screenshot from US CENTCOM video of Kharg Airport showing impacts on the runway (coordinates: 29°15’29.2″N 50°19’29.9″E)

The next sequence shows some kind of barren limestone plateau in the northern part of the island. Even at the highest zoom level on Google Maps, no buildings or other structures can be identified at the impact locations.

1. Screenshot from US CENTCOM video showing impacts on a limestone plateau in the north of the island; 2. comparison with Google Maps (coordinates: 29°15’43.8″N 50°18’35.9″E)

The next excerpt ends immediately after the impact, so the smoke plume in the landscape is not visible. However, the red arrow marks the projectile just before impact (clearly visible in the video), while the red circle marks the impact site in a barren area in the northwest of the island. It is unclear what structure this might be. The shape of the building resembles a hangar. However, this appears unlikely, as no other infrastructure is visible in the surrounding area and no paved road leads to the site—factors that argue against it being a military structure.

1. Screenshot from US CENTCOM video showing an impact site in a barren area in the northwest of the island (arrow indicates projectile just before impact); 2. comparison with Google Maps; 3. probable target (coordinates: 29°15’49.5″N 50°17’56.3″E)

Another sequence shows multiple impacts in the northern central part of the island. The two smaller explosions occurred near an oil pipeline. Several buildings were apparently struck, which could be storage warehouses and part of an industrial facility. The larger detonation occurred on a site that, according to Google Maps, hosts the island’s gas power plant. This facility supplies electricity for the island itself. If the power plant was indeed bombed, this would constitute an attack on energy infrastructure essential for civilian supply.

1. Screenshot from US CENTCOM video before the impact in the northern center of the island; 2. comparison with Google Maps; 3. the island’s gas power plant as the probable target; 4. additional impacts near a pipeline, possibly industrial facilities; 5. close-up of the power plant site; 6. close-up of the installations (coordinates: 29°15’07.5″N 50°18’20.1″E)

The OSINT analysis of the video sequences released by the US military raises significant doubts about the US president’s account. In the clips examined, etos.media was unable to identify clear military targets. Several strikes appear to have hit civilian infrastructure such as the gas power plant, the airport tower, the helicopter hangar, and possibly industrial facilities. In a Saturday interview with Kristen Welker on NBC, Trump threatened further strikes on the island—“just for fun”.

This is a translation of an article that originally appeared in German at etos.media.

Didier Eribon: “Governments that impose cuts are criminal because they consolidate the far right in power.”

The French philosopher visited Bilbao to talk to Alana S. Portero about the importance of friendship.


21/03/2026

Didier Eribon leans one arm on a small table. He is wearing a dark coat, zipped almost all the way. He is looking off the the left, eyes shining and smiling slightly, looking as if he is about to say something. He is standing in front of a large rusted metal column at a park.

In this interview, he discusses his return home to his native Reims, the working-class vote for fascist forces— including that of his mother—and his relationship with Foucault.

In 2009, Didier Eribon (Reims, 1953) anticipated the rise of the far right by analysing the working-class vote in his hometown in “Return to Reims” (Libros del Zorzal, 2024), a book that has garnered numerous translations and a film adaptation: “Retour à Reims” (Fragments), by Jean-Gabriel Périot (2021).

In Reims, revolution meant being able to buy a television. His father would watch it in the living room and hurl insults at the gay actors who appeared on screen; Eribon knew that these insults were, deep down, directed at him.

The longing to return to Reims was not only political but also personal. He recounts how he emancipated himself through his homosexuality: he fled Reims, fulfilled his dream of becoming a philosopher, and ended up being integrated into Michel Foucault’s circle of friends. Decades later, his father’s death brought him back to the city. By then, he had become an internationally renowned academic, though he admits he was more ashamed of his working-class origins than of his homosexuality—all while voting for the left in the hope of improving living conditions in his hometown.

“Return to Reims” is both a political analysis and a love letter. The tensions between the individual and society run through all Eribon’s work, and he participated in the latest edition of the Gutun Zuria festival in collaboration with the French Institute of Bilbao. In a packed auditorium, during a discussion with Alana S. Portero, Eribon explained that he had asked to share the stage with her because of the central role friendship plays in “The Bad Habit”. They both agree that true family is a choice, and that this institution is made up of chosen affections—though the conversation also left some open questions.

Is it possible to rise above one’s social class? We interviewed him just before his lecture to answer these and other questions.

In “Life, Old Age, and Death of a Village Woman” (Taurus, 2024), you describe your mother, the novel’s protagonist, trapped in a care home, where she lives with people of the same age. They form a collective, a ‘nous’ (we), but although they want to change their poor living conditions, they lack political power. Do you also belong to a ‘nous’?

In writing this work, my point of reference is Simone de Beauvoir: her famous “The Second Sex” (1949), which poses the following questions: Why do women not form a collective, why do they not organise themselves collectively, why do they not say “nous, les femmes” (“we, the women”), when workers and Black people do so, resulting in the labour movement and the civil rights movement in the US? From that point on, things change. Twenty years later, Beauvoir published her other great essay, “Old Age”. Her aim was to give a voice to people of very advanced age who would otherwise be unable to express themselves. In other words: these people who suffer from loneliness, illness, the loss of physical autonomy and live in a care home cannot say “nous”. Over time, my mother also began to live like this. From the care home, she would leave me voice messages on my answering machine. They were effectively political, because she was protesting against her living conditions in that institution: “I’m unhappy, I don’t want to keep living here.” But she, of course, could not take to the streets to demonstrate with placards, alongside other elderly people. The issue remains relevant: there are people who cannot come together collectively because their physical condition prevents them from doing so. To answer the question of which collective I belong to, I prefer first to ask who can constitute themselves as a “nous”.

As a gay man, I can say “nous” because gay pride exists. It is a collective made up of very different people, but there are times when we can say “nous”: there are books, we can go out and demonstrate, sign petitions, organise discussions.

When I go out to demonstrate against Macron’s policies—which are undermining hospitals, the National Health Service, transport, housing and other public services—I am alongside trade unionists and workers; in those circumstances, I can also say “nous”. Therefore, I do belong to a “nous”; in fact, to several of them. Often, these cannot come together in a single collective. I believe that every person belongs to a plurality of “nous”. The question of the individual and the group is, ultimately, enormously complex: every person belongs to different groups. Given collectives: white, Arab, transgender, woman, young person… But you voluntarily join these collectives when, as a woman, you become a feminist; when, as a gay man, you begin to engage politically. We can therefore distinguish between given collectives, which we do not choose, and collectives formed through mobilisation.

“They used to oppose capitalist domination, but now they turned against the elites who ‘favour’ immigration, even though they still considered themselves to be part of the working class. The reason I found out was that social democracy had abandoned the working class.

If there is a “nous,” there will also be a “vous” (you). You demonstrate how “nous les communistes contre vous les patrons” (“we communists against you bosses”), which mobilised the working class against exploitation and was the main political slogan in industrial France, has become “nous les français contre vous les immigrés” (“we French against you immigrants”). But communist militancy had a collective character; it depended on solidarity. Have far-right parties somehow safeguarded it?

When I was a teenager, everyone around me was working class. What’s more, they saw themselves as part of the working class—a class mobilised against oppression (the bosses, the bourgeoisie, the capitalists) in the name of equality and social justice. Therefore, there was a very strong class consciousness in my family, and everyone voted for the Communist Party. “The Party”, as they called it. I distanced myself. When I am back in Reims and meet my mother, I realise they have started voting for the far right. First for Le Pen senior, then for his daughter. I wondered what could have happened; before, they were against capitalist domination, now their protests had turned against the elites who “favour” immigration, even though they still considered themselves working-class.

I tried to analyse the phenomenon. The reason I found was the abandonment of the working class by social democracy, in France, the UK, and Germany alike. Added to this was a context of deindustrialisation, factory closures and massive job losses. Social democracy began to embrace neoliberalism at the expense of the welfare state. The media supported a new narrative that linked economic inequalities to individual responsibility rather than class differences. The traditional left ceased to represent them. And when the left ceased to represent the working class, the latter sought another party.

For a long time, those who had previously voted for the left and were beginning to vote for the far right did so in a very different way. They voted for the left with pride. When voting for the far right, at first they felt ashamed, would not admit it in public, or claimed they had only done so once. Whereas it used to be difficult to accept, today in many regions of France—and I see that the same is happening in Spain and the rest of Europe—there is now a sense of pride in voting for the far right.

“Cultural dispossession also explains the rise of the far right.

Is that a cultural question?

All studies show that there is a direct link between educational attainment and voting for the far right. Those who vote for them are not only economically deprived, but also culturally deprived. This is a form of cultural deprivation: they have no access to participating in public debate or decision-making. Cultural deprivation is, therefore, just as significant as economic deprivation; both contribute to the electoral success of the far right. Furthermore, access to knowledge facilitates better working conditions. Both forms of deprivation are, therefore, intrinsically linked.

The idea that knowledge—and access to a privileged position—is for others; that the “nous” of the dispossessed amounts to nothing. If there is one group today in the strongholds of the Communist or Socialist Party (in many places where the PCF—the French Communist Party1—won the first round), it is that of the dispossessed. And they vote for the far right. Unfortunately, this trend is on the rise. I fear the next elections will be catastrophic.

Another explanation is the disappearance of public services. Imagine living in a small village where the primary school, the post office and the health centre are closing down… and the train that used to stop five times a day now only stops once, or not at all, because there is no longer a station. If you have to travel 5, 30, 50 kilometres for everything, the feeling of being invisible, of having been sidelined, breeds an anger that translates into a vote for the far right. Similarly, and this has been proven, when public services are restored, support for the far right drops immediately. It seems like a laboratory experiment. For all these reasons, governments that make cuts are criminal, as they put the far right in power. They instill after all a sense of fear.

“They are no longer ashamed because they feel ignored and marginalised. Their way of making their voices heard is to vote for the far right.

“But… they’re fascists!” As he often recounts, this was his reaction when he found out that his mother voted for the far right. In Spain, there is much talk of historical memory because it remains an unresolved issue. France has been different in this respect: there, communists are remembered as heroes of the Resistance, key figures in the founding of the modern French Republic.

Yes. But if social policies are being dismantled and you’re feeling the effects in your daily life, historical memory isn’t your priority. It doesn’t lead to changes in voting preferences. I repeat: only restoring the welfare state will have a real impact. That said, historical memory is also very important. I’ve come across a great deal of literature and film about the Spanish Civil War and the Franco regime; there are many historians studying it. As far as I know, there are some very interesting examples of historical memory in Spain. Aren’t there?

There are many, but there is no consensus on the matter. Right-wing parties tend to block such initiatives.

(Laughs.) You can see why: they’re the heirs. Why would they want anything studied that calls them into being evaluated? In such cases, the answer must be to keep funding research, supporting it through both universities and publishers. Although I can’t go into further detail, I’m interested in the history of Spain.

Let’s continue talking about the south. You explain how social democracy plays a key role in the rise of the far right. It could be added that social democracy has been in crisis for over ten years. In the 2017 presidential election, when Macron stood on his own platform after having served as Minister for the Economy in a Socialist Party (PS) government and made it through to the second round against Le Pen, you abstained.

Yes. Even after the first round, people were saying that Macron was the best candidate, the only one who could stop Le Pen. I supported Mélenchon because Macron wasn’t a left-wing candidate, as has since become clear. I said that voting for Macron wasn’t voting against Marine Le Pen but ensuring her victory in the next elections. I was wrong about the timing: Le Pen didn’t win five years later. But she is a rising phenomenon due to Macron’s policies for dismantling the public sector. Unfortunately, it is quite possible that she will be the future President of the Republic. Or that of her replacement [sic], due to issues of ineligibility (she has outstanding legal matters). It is very likely that they will win a large number of seats in the legislative elections.

What do you think of the Spanish Prime Minister, Pedro Sánchez, and other social democratic leaders who form coalitions with parties to their left? Is this the solution to the rise of the far right?

The only solution is unity. This is not happening in France, nor in the UK or other countries. On the contrary: left-wing parties are splitting, another factor that plays into the hands of the far right. In France, such unity is made more difficult by the electoral system: in the second round, one leader must prevail over another.

“I don’t like either psychiatry or psychoanalysis, because they treat problems as individual issues. To understand oneself, one needs to analyse history and the collective.

Let’s return to the individual. This is the age of therapy, and autofiction is flourishing in literature. Yet you have chosen self-analysis. How would you explain what that is?

When “Return to Reims” was published and translated into several languages, it was presented as a work of autofiction. I didn’t agree with that because it isn’t fiction, but rather a sociological description and an analysis. I have nothing against autofiction; let everyone write what they want. I start from my personal journey to attempt a sociological analysis of the history of the working classes, of educational institutions, and of politics in France. It is a book that attempts to integrate different levels of analysis, but everything written is real. When I say self-analysis, I could say autobiography, but it is indeed a collection of biographies that I am trying to bring together in a single book. I don’t like either psychiatry or psychoanalysis, because they individualise problems. To understand oneself, one needs an analysis of history and of the collective. Questions such as: what social class were you born into? How many years of education have you had?

For example, I think we need to rethink the Oedipus complex. Difficulties between parents and children are often shaped by the fact that parents were forced to leave school at the age of 14 or 15 to start working. My mother started at 14, my father at 13, and I studied until I was 25. The next generation, which goes on to secondary and university education, has much broader access to culture; this also has an impact on their relationship with leisure, their notion of time, and their relationships. Everything that structures us is shaped by the time spent forming us. Diagnoses such as the Oedipus complex, which focus solely on the family, are less effective than an analysis of the contemporary functioning of social classes.

One of the main focuses of your research has been the analysis of violence. We are in Bilbao, one of the main Basque cities, where daily life was dominated by ETA2 until 2011. In theory, the conflict was framed as “us Basques against you oppressors”, although that did not prevent some of the victims from being workers, politicians and judges who supported the welfare state.

I don’t know enough about this chapter to be able to judge, let alone Basque nationalism. But I can say that I detest violence. I believe that major liberation movements are far more unifying than violent actions by minority groups. That said, in this context we must speak of respect for the minority languages and cultures of each region or community. If such violent responses existed, they were in reaction to attempts to restrict them. This does not justify violence, but respect is a necessary condition to prevent violent groups from forming.

There is something about violence that really strikes me: at first it is political, but then it becomes autonomous. It transcends those who perpetrate it and ends up acting on its own, detached from the political aim that gave rise to it. Walter Benjamin defined it very well in his essay “Critique of Violence”: violence for violence’s sake always ends up prevailing because it is impossible to control. That is why I believe we must prevent it from starting in the first place. I remember the article I read when ETA laid down its arms; what a beautiful thing.

You are one of the most valuable biographers of Michel Foucault, the Western philosopher who was perhaps most closely associated with the 1978 Iranian Revolution. How might we interpret this today?

The revolution did not originate solely from religious groups. Many secularists, Marxists, republicans and feminists took part in it. It was not just intellectuals: it was a general uprising. Every day there were mass demonstrations and the response from the authorities was terrifying. The Shah’s regime was one of torture and murder. A considerable number of intellectuals in France, and I imagine in the rest of Europe too, were horrified by these massacres and supported the protests. That is why Foucault did not hesitate when the Corriere della Sera asked him to travel to Iran as a correspondent, where he wrote a series of reports. He was fascinated by the crowds opposing the regime; perhaps that is why his reports were overly enthusiastic about the possible fall of the Shah.

When Ayatollah Khomeini came to power, he thought that, with the dictatorship overthrown, a more democratic regime would be established. He was wrong because he was not an expert; he did not understand the dynamics of the situation and could not have foreseen the emergence of a theocratic regime. This was, of course, a mistake that many journalists of the time also made. In my biography of Foucault, I say that he was perhaps too enthusiastic. His reports were based on testimonies from people he encountered on the streets. Most of those he interviewed were not religious and supported the revolution. Foucault supported the Iranian revolution, but never the regime that emerged from it. When Khomeini began persecuting the very same groups as the Shah, Foucault condemned him in his writings. However, in France there was a controversy that still persists: several media outlets reported that Foucault supported the ayatollahs.

There are also many who believe the farce that Sartre and Beauvoir travelled to support the Iranian regime. Can you imagine Beauvoir in a chador? So many falsehoods. Foucault did go to Iran to support the revolution, but when Ayatollah Khomeini was still living on the outskirts of Paris. The Europeans’ considerations were wrong, but they were objective.

“The possession of culture is a weapon of the ruling classes” is a reflection by Bourdieu that inspires you. Which book, film and music album would you recommend?

“The Memorable Ones” by the Portuguese novelist Lídia Jorge, because we’ve been talking about historical memory. “Pain and Glory” by Pedro Almodóvar, and the piano concertos by Béla Bartók.

  1. Translator’s note. ↩︎
  2. Euskadi Ta Askatasuna ↩︎

This article is a translation. You can find the original Spanish interview here.

Bloque Latinoamericano in solidarity with Cuba

Political organisation takes part in the “Convoy to Cuba” as the delegation from Germany

“Bloque Latinoamericano“ is joining the international project “Convoy to Cuba” as the delegation from Germany. This is to fight against one of the greatest obstacles to the development of the island: the blockades which are violating international law.

The current situation in Cuba is a real vicious cycle for the population. Due to the sanctions tightened by Trump and Rubio, the country has been almost completely cut off from its energy supply. Without a stable power supply, hospitals cannot operate, and food security cannot be guaranteed. Both are essential for living a dignified life in Cuba. Without energy, however, it is basically impossible to sustain the economy.

“We see the blockade against Cuba not as an isolated event, but as part of the global aggression that we have also witnessed in recent months against Venezuela, Greenland, and Iran. All these cases are connected by the economic interests of large financial and business groups in oil, who are ready to destabilize whole regions to secure resources,” declared Grasa Guevara, spokesperson for the Bloque Latinoamericano.

On March 21st, 2026, participants from around the world will hand over their humanitarian aid, including food, medicine, and energy-supply equipment, at designated collection points on the island. On this day, numerous worldwide institutions and political organizations will gather in Cuba to work together to break the blockade and provide direct support to the local population.

“Our initiative follows the example of the Global Sumud Flotilla, which was organized as a courageous show of support for Gaza. With the convoy to Cuba, we want to reproduce this form of active, physical resistance against the blockade, to deliver material aid directly to where it is most urgently needed, and through this to foster international solidarity around the world,” added an activist from the organization.

“This flotilla is our present response to the priceless historical aid that Cuba’s doctors, engineers, and soldiers provided for the liberation of countries such as Algeria and Angola. We are firmly convinced that international solidarity is the only way forward—both for the humanitarian crisis in Cuba and against military aggression in Iran and around the world,” explains a member of the Bloque Latinoamericano.

In parallel with the arrival of the convoy in Cuba, demonstrations and protests are organized in the most important cities around the world to increase global pressure against the sanctions. Berliners are also invited to join the work of the organization. The demonstration in Berlin takes place on March 21st at 13:00 in front of the US Embassy on Pariser Platz, near the Brandenburg Gate.

Contact the Bloque Latinoamericano

This statement originally appeared in Spanish and German. Translation: Andrei Belibou