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Propaganda, absolute evil, and cultural imperialism

In the West, fantasy triumphs over reality


14/12/2025

Today, Hitler symbolises absolute evil: evil without moral restraint, a force capable of perpetrating the most unthinkable crimes, and which can only be defeated by brute force: war. Many politicians and leaders have been compared to Hitler. This comparator is recurrent when denouncing cruelty or authoritarianism. The idea that Putin is the new Hitler of our time has a special appeal and makes sense to many fed by the Western propaganda machine. This identification is with absolute evil. Another great ‘teaching’ from the indoctrination industry of Hollywood: evil is not negotiated with, it is fought. This is the hegemonic narrative that we hear repeated daily in the Western media, supposedly to justify excessive militarism in Europe. 

The brainwashing machine of the Western press feeds this idea that we live in a world of heroes and villains. They decide who the villains are and who the heroes. And from this perspective, the ‘West’ and its political leaders are the good guys in this story. And mind you, they are not just ‘good guys’ and ‘well-intentioned’, but ‘heroes’ – who oppose the real-world villains represented by „autocrats“ and dictators, such as Putin, Maduro, and Xi Jinping. We can definitely discuss how democratic the societies are in which these leaders rule. Still, this tendency to permanently recall the evil that drives those leaders is like equating reality with a fantasy. It is another sign of the infantilisation of Western politics, which paints a picture of good versus evil, like a Hollywood script. In this script, interests do not drive international politics; there are no nuances, no grey areas. The evil leaders want to destroy the Europeans who so vigorously defend morality and human rights in the world. It is heroic Europe that defends itself against the Russian invader, or so they claim.

Upholding the idea of absolute evil represented by Putin and the leaders of the „other side“ goes hand in hand with the supposed moral superiority of the West. Similarly, militarisation, surveillance, and repression against the internal enemy are justified and necessary to control forces threatening European integrity.  

One side note, the idea of evil represented in a person or group of people is a fantasy, or at least a distorted projection (See Hannah Arendt’s banality of evil). In analysing the Nazi bureaucracy, Arendt showed that this banality and cruelty are expressed in less spectacular ways. Cruelty becomes part of everyday life, in the bureaucratisation of crime, and the routinisation of murder. The Nazis perfectly embodied this type of regime.  It was not so necessary for its officials to fiercely hate Jews (or anyone they considered ‘worthless’). Instead, they had to perform their duties well, follow orders, and demonstrate obedience to the system. Crime is not only driven by hatred, but by obedience and silent complicity.

 In an irony of history today, the trivialisation of evil, the systematisation of crime, and the routinisation of murder are unambiguously expressed in Israel’s genocidal policies against the Palestinian population. Israeli State terror is expressed in its rampant army that exposes its crimes on social media; in its legal system that maintains apartheid and surveillance in the occupied Palestinian territories; in the legalisation of violence and rape against Palestinian prisoners; in the fanatical settlers who attack Palestinians in the West Bank daily. All these and many other examples show the routinisation of state-led violence. Without a doubt, fascism reigns in that country and is accepted by a large part of its population. It is, they say, a necessary path to ‘resolve’ the Palestinian question and build ‘Greater Israel’.

But the „evil“ that the Western ‘free world’ is fighting is Putin. Meanwhile, Netanyahu is assured impunity. This is typical Western hypocrisy, to which we are sadly accustomed. Despite the apparent brutality of the Israeli regime, Western elites have done their utmost to ignore the genocide in Gaza, while presenting leaders like Putin as the absolute evil.

But this narrative in the West presents problems. Where does Donald Trump fit in? The liberal progressive view is that he is considered a dangerous ally of these ‘other’ autocratic leaders. His attempts to end this conflict may have momentarily saved Europe from a major conflagration with Russia  (doomsday clock). Trump’s decision to dismantling USAID shows one big difference between Democrats and Republicans when it comes to the projection of imperial power. Trump reveals the true face of a decadent, indebted, and financialised empire that has opted for threats, brute force, and military force as a method of negotiation and persuasion. The best example of this shift is the just-released National Security Strategy, which outlines new pathways to global hegemony and a renewed Monroe Doctrine.

Europe, clings to the kind of soft power that Trump wiped out in one fell swoop. European leaders have never had any problems with the imperialist policies of their great master. They were willing to go to war in the name of ‘freedom’ and ‘democracy’,  with a few exceptions such as Iraq. Europe has been a trustworthy partner for US hegemony. Europe’s eagerness for war, not only makes it indistinguishable from the North Atlantic Treaty Organisation (NATO) but also ensures the continuity of its position as a loyal subject of the empire. European leaders are confused and resent having lost their great ally. While Trump shows his true face as the ‘great master,’ relentless and cruel to his allies and lackeys. In fact, Trump and his administration’s contempt for Europe is undeniable.

But Europe could still save itself if it chose more wisely with whom to ally in this new multipolar order. Perhaps now is the time to rethink its relationship with the master and pursue its own goals. Those may not necessarily align with Washington’s interests, but do align with those of its own citizens. Perhaps a little rebellion against ‘Daddy’ Trump would even restore some dignity to this bunch of obedient children.

But Europe remains stubbornly stuck in its fantasy world. Instead of learning the lesson that, in geopolitics, it’s all about interests — and not morality, as the Germans love to think — they prefer to portray Trump as an idiot manipulated by the superior intelligence of Putin and Xi. But despite their criticism of Trump for his attempts to end the war in Ukraine, they remain obedient buyers of everything the American military-industrial complex has to offer—new war toys for when Russia supposedly invades Europe in 2029.

Unmasking American cultural imperialism

The general public, especially in Europe, needs to understand how American cultural imperialism operates in the world. This colonisation of the mind is manifested in the crude distinctions between good and evil that permeate Western politics today, which requires the continued demonisation of Russia and China.

Meanwhile, the United States projects a heroic image of defending superior values as the German sociologist Bernd Hamm writes:

“The US has successfully managed to implant into the brains of perhaps the majority of human beings a self-portrait of brave heroes fighting fiercely for freedom, democracy, and the rule of law wherever there is a need to fight. Reality, however, cannot be further away from that. In fact, and certainly after the nuclear bombs dropped on Hiroshima and Nagasaki, it has been the most ruthless, most egomaniacal, most brutal actor, the real rogue state.”

(Hamm, Cultural imperialism. 2005: p.20).                 

Cultural Imperialism is an expression of soft power. And we know and should have in mind all the images of heroism, kindness, and goodness that the empire projects through its propaganda machine while destroying whole societies in the name of “freedom” and “democracy”. 

I write these lines from a Latin American standpoint, with only a minimum of historical memory, knowing what the empire has done in the past and what to expect from it. Latin America has always suffered intimidation, harassment, and attempts to destabilise its economies and provoke ‘regime changes’ – a euphemism for military coups followed by cruel dictatorships. For that, there will always be local leaders willing to do “that” job, pursuing the empire’s interests. Today’s ‘sons of bitches’ of the West, the Netanyahus, Al Jolani’s, Corina Machado’s, and Selenesky’s, will be protected by Washington and its allies until they are no longer of use to them.

In Europe, the brainwashing of the cultural imperialism industry also involves the complicity of its elites. This ensured them juicy profits when a new market was opened by force, at gunpoint. The entry of Chinese capital into Latin America has exasperated the European political elite. One effect of multipolarity seems to be that the so-called “developing” world no longer looks to Europe as its great example. In fact, many will ask themselves – What is wrong with Europeans? Have they not realised that the world has changed? 

I know it is a little unfair to talk about “Europe” as a homogeneous bloc, as we must differentiate between the political elite and its citizens. Its political elite, which is desperately trying to drag Europe into another war, is very unpopular. At least in Germany, we slowly see public resistance to preparations for war. But given the intensity of NATO propaganda to lead Europe into a direct confrontation with Russia, it is not enough. Especially compared to other historical moments, such as the „eighties“, when the peace movement was strong and loud.

Within this propaganda war, politics goes hand in hand with the mainstream media. While in the West, the media claim to report ‘facts’ and ‘truth’, while accusing their enemies of the opposite. That is, the Russians and the Chinese spread misinformation, manipulate, distort, and lie. Supposedly, the Chinese feed us algorithms through TikTok that expose the crimes of the Israelis in Gaza and the West Bank, or show that Russia is winning the war. But we should ask why European leaders are so desperate to silence independent journalists, podcasters, and uncomfortable interviewers. Europe has a problem with the freedom of opinion it claims to uphold. There is a brutal contrast between what Social Media exposes and what the so-called Western media tells us. To control the narrative in the West, political powers seek to control digital platforms such as Telegram or TikTok.  As these images do not align with the narrative being peddled in Europe, Brussels’ desperation to control it is already palpable (see the Chatcontrol project).  

We must not forget that the goal of Western propaganda is to demonise and dehumanise the “enemy”.  It seeks to prove that a war against Russia is necessary, even if it destroys Europe once again. To counter this, we must unmask these attempts to portray Russians as ‘barbarian hordes’, Chinese as the ‘growing eastern threat’, migrants as ‘eternal foreigners’, Palestinians as ‘the usual terrorists’, and the left as the ‘internal enemy’. Let’s begin by not falling into that trap. 

Germany vs. the Ulm 5

Five activists face harsh pre-trial detention for opposing Germany’s complicity in Israel’s genocide


12/12/2025

Ulm5

On 8 September 2025, five people of various nationalities entered the premises of Elbit Systems in the city of Ulm, in southern Germany. While filming themselves with their faces uncovered, they carried out a non-violent action aimed at preventing the continuation of the genocide in Gaza. In subsequent videos, they clearly explained their demands and why they chose the German location of the Israeli weapons manufacturer Elbit Systems—a company responsible for a significant proportion of the weapons and technology used in the genocide in Gaza, as documented in this UN report. They waited to be arrested by the police without resisting or attempting to flee. Since then, these five Irish, British, German, and Argentinian-Spanish individuals have been held in pre-trial detention.

This direct action—involving alleged non-violent destruction of property—highlighted not only the inaction of the German government, a signatory to the UN Convention on the Prevention and Punishment of the Crime of Genocide, but also its active participation in the genocide through diplomatic support, arms exports to Israel, and the production on German soil of weapons directly used in the genocide of the Palestinian people. Germany, which faces several legal proceedings both domestically and at the International Court of Justice in The Hague for its complicity, has responded with the full force of its institutional repression against these five individuals.

Since their arrest on the same day—when they were read their rights, including the statement, “you may make a phone call to a lawyer and a family member or friend”—the detained activists, their lawyers, and their support networks have reported repeated abuses and denials of basic rights:

  • Being forced to undress and held in cells for hours wearing only underwear (no bras).
  • Being detained for 30 hours without adequate food.
  • One of the five being prescribed medication by a doctor and then denied access to it by police for 20 hours.
  • Being interrogated by police without a lawyer present.
  • All five individuals being denied access to lawyers until minutes before their first hearing, despite repeated requests and repeated attempts by lawyers to reach them.
  • At least one activist being denied access to their lawyer for two weeks.
  • At least one activist being denied any contact with family or friends for a month.
  • Being separated from one another after the hearing and held in separate prisons across five different cities.
  • Several activists being held in solitary confinement, locked in their cells for 23 hours a day.
  • Severe restrictions on visits from family and friends, with some allowed only one hour per month.
  • Restrictions on phone calls, limited exclusively to contact with lawyers.
  • Denial of release on bail despite no criminal record and no risk to public safety.
  • Incoming letters being withheld for four weeks or longer before delivery.
  • Being subjected to strict surveillance of all communications.

The German state is treating these five activists as dangerous criminals and is seeking to charge them under Section 129 of the German Criminal Code—forming or belonging to a criminal organisation—an offence carrying a potential sentence of up to five years in prison. Given the lack of evidence, prosecutors are struggling to substantiate this charge, resulting in prolonged pre-trial detention under the harsh conditions described above.

Defence lawyers argue that there have already been multiple procedural irregularities in both the investigation and bail process. This strongly suggests political pressure and motivation, consistent with the German state’s recent treatment of the pro-Palestinian movement.

Accusations under Section 129 have previously been used against climate activists, for which Germany has been reprimanded by the UN Special Rapporteur on human rights defenders. In response, the German government issued a pathetic and revealing letter acknowledging surveillance of activists, albeit without the use of infiltrators.

The blatant abuse of power and intimidation by the German state has led the lawyers representing the Ulm 5 to publish the letter below. In it, they demand not only the immediate release of their clients from pre-trial detention, but also an investigation into Elbit Systems Deutschland for war crimes and crimes against humanity committed worldwide, particularly in Palestine.

It is essential that these five activists receive fair treatment and a fair trial. To that end, national and international attention must be drawn to this case, which risks becoming yet another blow to Germany’s already weakened rule of law.

In recent years, fuelled by Germany’s aiding and abetting of the genocide in Gaza, the rule of law has been profoundly politicised through the doctrine of Staatsräson. The German state’s unconditional—and legally actionable—support for Israel has translated into the systematic criminalisation and persecution of anti-genocide activists. Given the movement’s strength, persistence, and moral clarity, the pro-Palestinian movement has become the most socially, politically, and judicially persecuted movement in Germany since reunification.

In the future, when it is too late, it will be clear that the genocide of the Palestinian people was not stopped in the courts, but in the streets—through direct actions that struck at the heart of the international genocidal network.


Press release – 26th November 2025

Defence team for the “Ulm 5” calls for investigation into Elbit Systems Deutschland’s possible involvement in war crimes committed by the Israeli army in Gaza

The Ulm 5 – who include an Irish citizen and two from the UK – have been accused of breaking into the site of the German subsidiary of Israeli arms manufacturer Elbit Systems, in Ulm, south-west Germany, on 8th September 2025, and of damaging property.

As their defence lawyers we call on the Stuttgart Public Prosecutor’s Office also to investigate the potential involvement of Elbit Systems Deutschland GmbH & Co. KG in war crimes, crimes against humanity and genocide in Gaza.

Our clients’ motivation was to prevent such crimes. Elbit Systems Deutschland GmbH und Co KG is a wholly-owned subsidiary of the Israeli company Elbit Systems Ltd. Elbit Systems Ltd profits considerably from the war in Gaza and supplies a large proportion of the drones used there. Elbit Systems Deutschland must therefore also account for its shared responsibility for war crimes in Gaza. Yet more than two months after the incident, the Stuttgart Public Prosecutor’s Office has not conducted any investigations in this regard.

The actions of the Ulm 5 were clearly aimed at a legitimate goal, namely, to end the killing of civilians in Gaza. Only property damage was caused; no persons were injured.

The defence demands that our clients be released immediately from pre-trial detention, which is being enforced with heightened restrictions, such as strict surveillance of phone calls, post, and visits. Some of the accused are on 23-hour lock-in with access to books and activities denied.

Not only is the enforcement of pre-trial detention disproportionate to the alleged offence, but furthermore there is no compelling reason for pre-trial detention at all. An assumption of flight risk is absurd, given the circumstances: our clients recorded themselves during the action and then permitted themselves to be arrested by the police without resistance. A video of the action was posted online publicly. Clearly, their intention was not to evade proceedings, but rather to face them, so they can explain the reasons for their actions.

The members of the defence team undersigned are available to answer any questions.

Dr. Maja Beisenherz, München   info@beisenherz.eu, 0177 / 70 95 812

Mathes Breuer, München   breuer@kanzlei-abe.de, 0175 / 52 46 963

Benjamin Düsberg, Berlin  mail@rechtsanwalt-duesberg.de, 0157 / 30 30 8383

Rosa Mayer-Eschenbach, München   eschenbach@kanzlei-abe.de, 0176 / 65 35 9443

Christina Mucha, Memmingen   info@kanzlei-mucha.de, 08331 / 69 08 136

Matthias Schuster, Berlin   mail@anwalt-schuster.de, 0176 / 24 75 8230

Martina Sulzberger, Augsburg   kanzlei@anwaeltin-sulzberger.de, 0821 / 50 87 3850

Photo Gallery – Hands Off Latin America

US embassy (Brandenburger Tor), 11 December 2025

All photos: Cherry Adam

Trigger Warning – Peace

Spoken word and clarinet performance at Grieving Doves Walk of Grief, November 16 in Berlin

“Documenting resistance to Israeli colonial rule is the core of our work”

Interview with Ahmad Al-Bazz from Activestills Photography Collective Interview, exhibiting from 13th December in Berlin

Hi Ahmad, thanks for talking to us. Could you start by introducing yourself?

My name is Ahmad Al-Bazz. I’m an independent journalist and photographer based in Nablus City in the area of Palestine called the West Bank. I’ve been a member of the Activestills Photography Collective since 2012.

For people who don’t know Activestills, can you say a little bit about their work?

Activestills is a collective of documentary photographers that was created in 2005, twenty years ago. It has Palestinian members, international members, and those with Israeli citizenship who acknowledge themselves as being part of the settler society.

Activestills came to life when photographers first met in a village of the West Bank called Bilin during the weekly protests against the construction of the Israeli separation wall. They decided to use photography as a medium for political change. This was even before the era of Facebook and Twitter.

They wanted to express their political stance through photography. It started in a tiny village, but it has expanded to include almost everywhere in the area known today as Palestine/Israel.

So it’s not just the West Bank?

Yes, we have members who are in Gaza, the West Bank, and the territory of 1948 Palestine/Israel. It’s completely voluntary. People are committed. They go to the field almost every week.

You’re based in Nablus. For the past two years, we’ve been hearing lots about Gaza but much less about the West Bank

As we are speaking right now, in December 2025, the city of Nablus is a bit quieter than two years ago. This is because the little armed group known as the Lion’s Den, which was formed a couple of years ago  in the city, is almost under control. It was semi-dismantled by both Israel and the PA (Palestinian Authority).

The raids are still happening almost every night, but they are limited to specific neighbourhoods where the Israeli military wants to do specific operations. But they move freely when they come. They enter the old town with undercover units. It is an easy task for them nowadays to enter and leave the city whenever they want.

Nablus and Hebron have the worst restriction of movement, because military gates around Nablus, for example, are always with soldiers checking cars. But there is a kind of a normal life in the daytime.

The district including the villages around Nablus is where the Israeli military has direct control. Israeli settlers live in the district, but not inside the city. This means trouble every single day. West Bank settlers have been increasing their attacks on villagers.

It reached a peak during the olive harvest season. It’s just these local stories here and there in every village where there is an expansion of a settlement. There’s some harassment, some tensions where the Israeli military is building walls. Every day there’s something. Since October 2023, Israeli settlers have completely displaced at least 44 Palestinian little villages in the West Bank, many of which are in Nablus.

What is the audience of Activestills?

Activestills made the decision to publish in English, because we believe this is the international language that will get you the biggest audience. After 20 years, we’re reaching people who are interested in the Palestinian-Israeli question. We also tried to caption some of our work in Arabic and Hebrew, so we get more local views, but we stopped temporarily because of capacity issues.

Is it mainly people who support you or are you also getting pictures to people who disagree with you politically?

We are mainly followed by people on the Palestinian side. Maybe that is natural because the collective has a political stance which attracts those who like that position, and who trust us enough to see more. Those who disagree with us may just follow for the sake of writing provocative opinions in the comments.

Activestills has an exhibition containing some of your works that is coming to Berlin. It was previously in Finland. How did that go?

Finland was in May this year. We have a member who is part-time in Helsinki, who said that there was a good number for such a small city. It’s not Berlin, it’s Helsinki. It also got some media coverage. The assessment was that because of what was happening in Gaza, people were more ready to go to a gallery and check out the photographs. It is also the 20-year anniversary of the collective.

In Berlin, it’s almost the same exhibition, with some little updates from May to December. Some stuff happened in the country. But it’s the same concept and the same theme.

The title of the exhibition is Documenting life, death and resistance in Palestine. What unites these different aspects of the exhibition?

Simply, this is life in Palestine. Our photographers do not approach Palestinians only as victims. Even some activist groups around the world deal with Palestinians by seeing them as victims. Maybe this is a safe, humanitarian point of view.

But Activestills started in a village where there were protests every week. People were clashing with the military, throwing stones. Documenting resistance to Israeli colonial rule is the core of our work. The exhibition is trying to show what’s happening in Gaza now—but also what has happened in the past two decades when the collective has been active.

Many people got introduced to the Palestinian question after October 7. They think it’s a state of war, and once there is no war, everything is kind of fine. We wanted to show them the accumulations that led to this, and to show that this two-year escalation is just part of what’s happening there.

By having a ceasefire, things are not going to be normal again because there is still the daily life of being under Israeli colonial rule in the West Bank, in Gaza and in 1948 Palestine/Israel.

What has changed as a result of the quote-unquote “ceasefire”?

According to our photographers in Gaza, air strikes and bombings are still happening—but at a different frequency. Around 320 people have been killed in Gaza since the ceasefire in October. This shows that the Israeli military is still operating, but they have more specific targets. It’s not the same scale.

Gaza is now divided into two parts. In one part, there is direct control. In the other, they just use air strikes. There are no troops working on the ground. It looks like this is the new style of post war, but we don’t know if this is permanent or just a transitional period.

People are still suffering. Housing units are severely damaged. People are living in tents. Our photographers are still doing the same work. Maybe they have a little bit more freedom to move, but they are still photographing this life of displacement with hardships.

Have you noticed any change in the West Bank?

No. The ceasefire in Gaza does not mean anything in the West Bank. Honestly, there is zero difference between one day before the ceasefire and one day after.

What is the role of photography in the Palestinian struggle? As I understand it, you see yourself more as an activist than a humanitarian.

Some of us see ourselves as activist photographers, some as biased journalists. There are different models. Photography is our tool with which we approach the political question of the country where we live. We aim to highlight what’s happening here. Some people will become aware of what’s happening here. Maybe they will feel attached, or mobilize. We don’t know.

To be honest, there is this sense of disappointment from our profession after the war because we feel that everything is over-documented in the country where we live, and maybe we are privileged compared to other areas where there are conflicts and wars and colonialism. Everything is well-documented, but there is so little change.

Many photographers, including those in Gaza, started developing negative feelings about their profession. They are asking: What else do we need to show for the world to react? What frame did we not have in the last two years? Because everything happened, even things that they never imagined they would photograph in their life because the model of Gaza was too extreme.

At the same time, we realised that this is an emotional moment for photographers who have been working for a while. But our work is kind of cumulative. We never managed to assess what impact we are leaving on people who are seeing our photographs. Political or media work is very long term. You just spread your messages, hoping for people to receive them.

Directly before this interview, I was at a new film about journalists in Gaza and you could sense      a similar conversation going on. It’s not that the world doesn’t know what’s happening in Palestine, but the bombing continues. What motivates you to carry on?

There is nothing else you can do. At university, I dedicated most of my life to media/photography/documentaries. Either you stop or you continue. When I give myself a positive chance to check the impact of my work, by talking to people who have seen it, it gives you that fuel again to continue.

I like what I do and I want to continue until the last day of my life. I should not evaluate it by the impact of the next morning. It’s a very long-term process. It’s part of the struggle, which has been going on for over a hundred years. We have to keep trying. Sometimes, this is the point of our entire life.

Why should people go to the exhibition? What will they get from it?

If you come to the exhibition in Berlin, you will get to see photographs taken by independent photographers on the ground who have their political stance and are delivering their message to you without any censorship by the media agency they are working for. You will get to see photographs from almost everywhere in Palestine/Israel. At the exhibition, people have the chance to chat with some of the photographers involved.

You will also get an idea of how Gaza is just a little part of what’s happening in the entire country. Palestinians in the country live under one system. It may be different in different territories. But Gaza is not the entire question of Palestine, although many people around the world know Gaza only.

I want to highlight that territorially Gaza is just 1% of the area of Palestine/Israel, especially when it comes to the media in Germany, who show a war between two conflicting parties—they depict it as terrorists fighting with a democratic state.

Will you be there yourself?

I’ll be there both for the exhibition and for the launch of my first photo book. The publisher is also coming, and we will have an event for the book on the 14th December. That’s also important for me on a personal level.

Tell us about the book.

It is called The Erasure of Palestine, and it’s the outcome of a three-year photographic trip that I did around the country, especially in the part that was occupied in 1948. This is the main body of the Israeli state today.

I went around dozens of these depopulated villages and neighbourhoods of the cities where Israel was established after displacing their residents. It includes Yafa—which is Tel Aviv today—Haifa, the villages around Yafa, the villages in the North, and the villages around Gaza. I wanted to highlight that displacement and the displacement that is happening now. And by now I mean 2022, 2023, 2024.

I was documenting the past and the present at the same time, to try and show that this is an ongoing process that has never stopped. I was arguing that if you want to understand the West Bank and Gaza, you need to start at least from 1948.

You need to understand why Gaza became a strip of refugees where 80% of the population are displaced people from where Tel Aviv and Israeli settlements are located today. This includes the areas where the Palestinian fighters attacked on October 7.

The book could be used as a POV lens to understand Gaza and what’s happening there. You can never start from 2023 or 2007. You need to understand the dynamic there, between the two sides of the fence of Gaza, the colonized and the colonizer.

And copies of the book will be available at the exhibition and at the launch meeting?

Copies will be available and some photographs from the book will be in one corner. The structures that remain in these towns and cities are quite shocking. Many people who only focus on the West Bank and Gaza will be shocked when they see a Palestinian mosque in today’s Tel Aviv. Many people ask me: Why is there a mosque in central Tel Aviv?

Then you tell them that 98% of the Palestinian Arab population of Yafa and its surroundings – which is today’s Tel Aviv – were displaced. And they ask you: Where did they go? And you say, mostly to refugee camps in the West Bank and Gaza, and that’s how Gaza was shaped.

This period of the Palestinian-Israeli question is being neglected on purpose. I think I know the reasons behind that, and that’s what I wanted to highlight in my book. And now, because of what’s happening in Gaza, I’m using that book to try and understand Gaza.

And the displacement of Yafa is still continuing through gentrification and “restoration” of buildings.

It’s still going on because those Palestinians who stayed in Yafa—and we are talking about under 3,000 Palestinians from 120,000,under 2%—were put in ghettos surrounded by barbed wire. And now, after 77 years of that displacement, Israel is coming to the owners and telling them that they are living in public housing and they need to leave for development projects.

People who understand the policy in question know that the core of this is displacement. Israel is just approaching Palestinians to relocate them using different pretexts. But they all lead to the same results—moving them to the smallest piece of land and giving the rest to Israeli settlers.

The Yafa people of Gaza used to live in Jabalia refugee camp. They had the Yafa neighbourhood. And that entire refugee camp was erased. You can see nothing of it today. That’s why people don’t connect. They don’t understand that those in Gaza are the owners of the land of parts of today’s Tel Aviv. They have been pressured and squeezed in that ghetto called Gaza Strip since 1948.

This is what we try as photographers to highlight, by showing what’s happening in Yafa, in Gaza, and in the West Bank, and sometimes in the diaspora camps in Lebanon and Jordan. We try to put it that way, visually.The Activestills exhibitionDocumenting life, death and resistance in Palestineruns from Saturday, 13th December until Saturday 14th February at Villa Heike, Freienwalderstraße 17. On Sunday 14th December at 7pm, Ahmad will be presenting his book The Erasure of Palestine, also at Villa Heike.